“Pink Hearts, Grey Stripes” by DS
Often, I feel myself smiling as I read the words of a novel. I recognize something of my life in the words. Sometimes I hide a personal comment in the offerings here.
Knitting: A Novel by Anne Bartlett. 2005
989 Words
*** Jack’s funeral Sandra *** more hugging and caring *** first widow among them *** Martha was decidedly uninterested in churches; the last time she had been she was ten years old and had bitten an old man on the hand, for good reason. *** She wore her glasses now for knitting. *** In a moment of clarity, like a knot that untangles itself when tugged at both ends, the knitting problem resolved. *** They would have no children. *** Jack like Sandra, had begun academic life as a historian. *** She turned over and felt for Jack’s pajamas under the pillow. *** In the evenings Martha listened to Radio National . . . *** Knitting was the one thing Martha could do better than anyone else. *** nationally known designer *** All winter she had live in three pairs of pants . . . one night . . . She waxed her legs and painted her nails bright red. *** So instead of buying a dress, Sandra knelt on the paving bricks and felt at the man’s throat for a pulse. *** There was something disarming about this other person who had stopped to help a stranger . . . *** Clifford *** epilepsy *** Sandra prided herself on being honest but felt she was slipping. *** Under the framed feathers, Sandra was sleeping. She could hear a cello. *** Nearly done with no mistakes *** Outside the Art Gallery was a banner advertising an international exhibition of fashion lace. *** Martha realized suddenly that this was a kind of lace, that there was a man wearing lace – a big black man at that. She raised her eyes. Both he and the garment were beautiful. *** Sandra envied Kate’s ease with people. *** Martha’s bags were by the wall where she could keep an eye on them. *** At one point they discussed knitting . . . Sandra’s work teaching textile history and theory. *** Some life force in the creative act kept her sane. *** There’s no words, no rules. *** Each one [was] jeweled with balls of richly colored wool, rose, amethyst, amber, jade, sapphire, opal, emerald, jet. *** 1869 painting by Bouguereau, The Knitting Girl *** Something to demonstrate the intersection of language and women’s work . . . *** That’s just how he is. He reads, you know. He spends whole days in the library. *** She couldn’t seem to get past camellias and daffodils. *** Pink roses, red roses, yellow roses . . . *** Sandra, needing a new haircut before she went to the conference . . . *** ladder climber *** Grief was like a disease. Sandra was having a relapse . . . *** What should I call myself . . . Madmartha . . . *** It was a long way to Wollongong, on the east coast. *** Sandra was a word gobbler. *** Participants were emptying their bags of wool scraps . . . *** Spinning, weaving, knitting, all part of the long tradition of women’s work that had survived even the efficiency of the industrial revolution. *** Years ago she had written a paper . . . *** In the act of making things, just by living their daily lives, they also make history. *** In spite of their differences Sandra had grown fond of Martha . . . *** She took a strand from two adjacent greens . . . wound a new ball of double thread . . . a transition piece, a kind of editing, linking two paragraphs that didn’t quite fit. Their crafts were not so different after all. *** Martha sighs heavily . . . Manny rides his bike to work and on the way home . . . *** I’m making a weeping scarf, a mourning scarf. *** I must fix the mistake so I can knit and keep calm, so I don’t make more mistakes. *** Tony enjoyed Martha’s company . . . *** No, I got baptized. *** We’re going out to dinner. *** I know my limitations. *** The pattern instructions read like some kind of code. *** Martha needed a cup of tea. *** a collaborative book *** Look at those sea colors. *** She didn’t have Martha’s color sense. *** Sometimes she felt another presence . . . This work was different from the rest; this work gave more than it took, strengthened her somehow. Like dipping into a well. *** When she was doing work she enjoyed, at a subterranean level she was searching, questioning, trying to pin down her own motives. *** Mint – that was the color . . . The little green dress . . . Sandra in green. *** Martha had seen an adult tricycle before. *** Red. It was a beautiful color, that’s for sure. *** Martha looked around the room at the bags of wool . . . *** If she knitted eight hours a day, she could do it. *** Sandra sensed a flaw in the glass. *** Get off it, you lummox. *** Outside it was like a furnace. *** That’s a row. . . it’s handmade . . . *** a bold Fair Isle *** Salvation Army truck *** She was hoping to extract an introduction to a university in Germany. *** Patterns, numbers, needles. *** Martha was sweating. *** The pain started then, vague at first . . . went on and on. *** I know you feel cold. *** If you have odd stitches, you make moss stitch. *** Why do you knit, Martha? *** The mind is like a cat in the wool making tangles. *** She told me in confidence. *** a reproduction of a medieval knitting Madonna *** Clean and neat and ordinary. *** Would you like to put those roses in water? *** With his kiss the whole room exploded into flames. *** The moonlit garden was thick with past conversations. ***
A knitting Madonna:
Detail of a polyptych by Tommaso da Modena (1325-?75).