Back in the Studio

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“Morning has Broken”  iPhone Photo DS

It has been a long winter and spring. Snow, snow, snow and cold, it is so unlike Vancouver. Survival mode had kicked in and chores, errands, duties, and disciplined study had taken over. Painting had been only cerebral. Images sometimes came and went unheeded. Planning for shows has absorbed me all spring. I determined to spend more than a few minutes in the studio this sunny day.

A leisurely breakfast with my loved one, a slow shower, then some e-mails were read. When I had completed my ablutions, I found my painting clothes in the bottom of the closet. In them I felt free. In their messiness I was a worker – a worker bee (my name Deborah means honeybee). Yes, I am ready for MY work, the work that is me.

This would be a contemplative day – albeit more on the ‘labora’ side of ‘ora and labora’ (pray and work) of the ancient monks. It had been so long since I had touched a couple of unfinished paintings I prayed specifically that God would help me. I did not want to deconstruct what I had built up so far.

A step outside into the fresh fragrant morning, I breathed, as if I was now truly alive. Rhododendrons bloomed red, hot pink, fuchsia, purple. The studio unlocked, I searched for pots of paint in the colours I had envisioned. One was dried up but the lids unscrewed easily enough. I noticed a small hole in the screen window with the mountain view.

I knocked over a red Folger’s coffee can of brushes from high on my shelf. They fell on and behind a stack of completed paintings. This is how I get my exercise today.

The studio used to be a hot tub building. It has plumbing but not a sink. The hose is right outside the door, so convenient for me to fill a water bucket.

The bucket reminds me of my childhood. When I visited my grandmother in N. B. water was pulled up by a metal bucket from a well. This ancient practice is added to the painting history back as far as the caves. Like a monk, I gather water, paints, and pray. This day I feel grounded and most like myself. I am truly me when I paint, the one I was made to be before I was born. Today I paint the telegraph cross that has lain dormant in my imagination for years.  I do not wonder at all if it will sell.

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